Parts of this exploration are mildly dissonant and very un-"Hood"-like, while other sections are quite spectacular. The first seriously "Type II" "Hood" includes some very experimental jamming. The jam has spots of improvisational playing, including an unusual and dark section from 6:55 - 8:00, and a nicely trilling peak.Ĭool, spacey beginning to the jam, great riffs from Trey, strong Fish, and a powerful finish with solid trilling = Great "Hood."Įven for 1994, this "Hood" is a very intense one as Trey shreds like crazy in the climactic jam before the closing lyrics. And the ending section is just smoking hot. Even as Fish, Trey and Page bring the heat, Mike keeps the licks of this groove rolling. Mike gets into this really great groove starting at about 8:00 that everyone else plays off. Jam opens with a great "The Lion Sleeps Tonight" tease followed by light, fluttery playing before a knockout punch ending. The intense peaking section concludes with really incredible trilling by Trey. build to a textbook finale.Ī "Classic '94" jam begins with a great early section that has a good Fish-driven pulse, then Trey starts to add power with strummed chords. Then Trey and Fish kick things up several notches.īegins with a nice bouncy groove, things settle into quiet, subtle playing, then Trey & Co. Jam starts with a beautiful, flowing section with great Page and Mike. The jam starts with an "Auld Lang Syne" tease and delicate soloing, which builds into a frenzied guitar-led jam. There's another great quieter section, and then at 10:40, it's all guns blazing for a full throttle finish.Įnchanting and nimble early section is gradually overtaken by power, ending in a fierce and extremely tight peak. The jam begins in a very delicate manner, then grows in power with sprinkles of improvisation. Then at 7:55, there's an incredible section where the power builds in a cool and very unusual way for "Hood." From here, there's a brief settle before launching into a blistering ending.įirst of several strong August '93 "Hoods." Improvisational and restrained playing by Trey shifts at 10:00 when Page plays some low register piano chords, and the power starts to surge upward. Shredding, intense peak.īeautiful, delicate playing at first. > in from "HYHU." A cool and very improvisational jam, coming at the end of a historic show. As it builds, Trey has some great soloing, topping it off with strong trilling. The jam starts with a really nice, swinging vibe. The jam begins in an exhilarating and surprisingly gentle and graceful manner for '92, but consistent with the year, Trey kicks into high gear and rips the ending. The jam has an unusual dark, minor mode section from 7:15 - 8:45, making it the first truly exploratory "Hood." From here, the jam builds to a strong, shred-filled peak. The famed "Linus and Lucy" version pays homage to the "Theme from Peanuts" during the jam. The jam includes a sweet "Follow The Yellow Brick Road" tease and then builds up in a very rocking manner with solid playing by all four. The jam is excellent and rocking, and Machine Gun Trey's playing is simply incredible.Įxcellent intro to 4:24 with Page on the B-3 and strong Mike. Trey adds some great soloing, then the jam builds up to a solid peak. Nice bubbly flow to the beginning of the jam. Great sbd recording too.Ī little "Theme from Jeopardy" teasing kicks off a strong jam with creative playing by Trey and solid backing from Page and Mike. This is a terrific compact "Hood" with crisp, sharp playing, good interplay, and strong Trey. Solid version all around, with good interplay, great Fish, and Machine Gun Trey makes a strong showing.īig Red lulls us with some beautiful soloing, before training the machine gun at the audience and firing at will. This one really lifts off after 10:30.Īs a good bouncy jam builds, there are a few times when Trey sustains a single note, and Page and Mike fill in nicely. Great version with strong communication and interplay among the four band mates. Insane trilling from Machine Gun Trey as the jam reaches a peak, but also a very strong version all around. Strong early "Hood" includes a long, slow-tempo intro (to 3:50) with dogs barking in the background, and a soaring and unusually long (for this period) Trey-led jam, prompting Fishman to comment "that's why I'm in the band."Įxceptionally powerful early version with excellent Trey/Page interplay and a huge peak. The main jam segment has the same melodic flow as today. Song structure today is remarkably similar to this initial version, but this one also has some added jamming before and during the "Mr. Back to Jamcharts Feedback/Corrections Jam Chart for Harry Hood (111 entries) Dateįirst known performance.
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